My artistic practice revolves around the empowering force of sound as an agency by utilising sonification processes and magnifying intersections between the sonic and non-sonic.

 

My work aims to subvert traditional data experiences and disrupt conventional uses of technology, in order to foster meaningful interactions, and address social inequalities through innovative art forms. I integrate interactive systems, multimedia and digital tools, focusing on both the literal and intuitive interpretation of data. By overlapping sound with other media, I create immersive and alternative asynchronous and/or synesthetic experiences that engage audiences on multiple sensory levels.

 

I view technology as an extension of human creativity and ingenuity that has not yet fully integrated the symbiotic networks of the natural world. By acknowledging the material agency and effectiveness of non-human or not-quite-human things, I explore how technology can become a seamless part of these networks, rather than an external or disruptive force.

 

My work delves into the unseen and unheard, expanding conventional boundaries of perception by utilising cross-sensory methodologies to translate these hidden dimensions into tangible experiences. By converting data into sound and integrating multimedia elements, I aim to reveal the latent narratives and dynamics within our environment.

 

Sound, in my practice, is not merely a medium but an event or phenomenon in itself, embodying the materiality of its sources and the spaces it traverses. Silence, too, plays a crucial role, acting as a space of fluidity, non-linearity, and internal reflection. It is a powerful element that shapes and defines the contours of sound, providing a backdrop against which sound can emerge and dissipate.
 

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