Last Monday and Tuesday, I had the pleasure of speaking at Convergence: Seminar on Co-creative Strategies in Interdisciplinary Artistic Practices - where I shared my ongoing research, Meta-Sonic Narratives.
Meta-Sonic Narratives explores the transformative potential of sound as both a methodology for inquiry and a medium for expanding our perception of the world. By embracing a non-cochlear-centric approach to the sonic, the project delves into frequencies and vibrations beyond human hearing —ultrasonic emissions, infrasonic waves, and resonances—opening new doors to the unseen and unheard dimensions of reality. These imperceptible phenomena are made tangible through technological infrastructures, fostering a collaborative environment where human and non-human voices become active participants in dynamic, resonant networks.
The response from both colleagues and the general audience was truly encouraging. It’s always a great feeling when a project sparks curiosity, and it was inspiring to witness how this research resonated with others in unexpected ways.
The event was an incredible opportunity to engage with a variety of artistic investigations that intersected in a surprising and meaningful manner. The conversations, insights, and shared enthusiasm created a sense of momentum — a push for all of us to go further in our work.
Attending the other presentations was equally enriching.
Serkan Sevilgen's Gendy Cloud project was definitely a highlight of the conference, both for its presentation and the distributed concert. It was a delight to hear the textures being devised in Istanbul, with data becoming sound upon its arrival in Antwerp. Patrick Quinn’s presentation on LOBRoutes.py was particularly thought-provoking and made me rethink notions of psychogeography in relation to technology, as well as its potentiality in rural areas. Even though I’m already quite familiar with Maya Verlaak’s work, it was very nice to gain further insights into her process and how she constantly challenges both musicians and herself. And, well, butterflies!!... Eveline Vervliet’s (with her platform Web Sound Art) and Luke Deane & Teoman Kirac's (members of Screen Dive) presentations were equally engaging being such a herald to web art. Last but not least, the concert by Future Shock Orchestra led by Chiara Percivati was nothing short of mesmerizing. Below, you can see me trying out one of their instruments, developed in collaboration with students from the conservatory and the design academy. This instrument had to be played by two people to produce sound—one controls volume and reverb, while the other controls the fundamental tone and overtones.
A huge thank you to Umut Eldem, Giusy Caruso, and the Screen Dive team for organizing this inspiring event. I look forward to seeing how these dialogues continue to evolve and influence future artistic practices.
Tatiana
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