HUM (an/other)

HUM (an/other) is an immersive participatory installation expanding listening through touch and artificial intelligence. A machine learning system reacting to visitors processes the artist's voice.

Visitors are invited to place a custom made tactile transducer on their  own bodies, merging themselves with a hybrid organism. HUM (an/other) is presented in collaboration with

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CREDITS
Concept and direction: Angelo Custódio
Live electronics and programming: Tatiana Rosa
Image direction and editing: Pedro Matias
Text and voice: Angelo Custódio
Technical support: Michele Abolaffio
Wearable design and development: Arthur Guilleminot

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With the support of:

Das Leben am Haverkamp at Stille Veerkade 19, Mondriaan Fonds, Stroom Den Haag and Stichting Stokroos.

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Presented at Proximity Music: Sensing After Thought as part of Rewire Festival 2022.

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The butterfly effect

As geology appears to be the indicator of the genetics of any planet, The Butterfly Effect dives into the genesis of rocks by appropriation of the current state-of-the-art mapping and data visualization technology.

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Technology expanding to our solar system, it opens the door to new forms of exploration and experiences of places we may never get to settle in. The Butterfly Effect speculates upon a geological sensorium based on a territory only known through digital imageries: Outer Space, and suggests a future in which Humanity will be able to experience any kind of territory regardless of the spectrum of our perception, time and geography.

CREDITS

Mathilde Renault - Concept, AV Artist

Bernard Foing - Senior scientist ESA ESTEC European Space Research & Technology Center

Frank Bloem - Perfumer

Lefki Mevissen - Programmer

Tatiana Rosa - Sound designer

Daniel Nunes - Web developer

Rita Fiahlo - UX-UI designer

Produced with the support of:

Stimulering Fonds NL, Nederlands Film Fonds, Amsterdam Fonds voor de Kunst.

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(e)motional charting

As a reaction to the current macro-politics of post-colonial society and the technocracy in place, this project departures from the feeling of displacement. Aligned with eco-feminist ecological thought, the urgency of this project lays upon repurpose tools from within digital culture and the technologies at hand to comprehend and be in favour of a vulnerable environment, while facilitating ecological and body awareness within an artistic research framework. 

(e)motional charting is a research upon multimedia cinematic landscapes, both digital and physical. Departing from sculptural ecosystems (e)motional charting repurpose mapping to prompt new augmented (immersive) realities to facilitate spaces for speculation .

CREDITS

Concept & direction: Pedro Matias

Camera: Mathilde Renault

Microscopic camera: Pedro Matias

Trans-media translation: Tatiana Rosa

Sound composition: Tatiana Rosa

3D scanning/Modelization/Photogrammetry: Paula Garcia Sans 

Space: Splendor Amsterdam

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Produced with the support of:

Mondriaan Fonds

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(e)motional charting - Prelude

(e)motional charting - Prelude, is a first iteration of an essayistic documentary research on mapping (micro) bodily-landscapes as subjectivities, in search for regenerative eco-systems. It proposes a future world where you are invited ‘to look around, inhale all the way, expand and contract rhythmically until becoming a soft, sweaty rock, insides out, flirting face off in the flowering coloured lights’. By combining imageries through the poetics of the cinematic gaze, textuality and sound, this trans-material and trans-physical work hopes to trigger a psychosomatic experience based, with different dynamics of desire.

This multi-screen composition is scored in an iterative circling as a methodology for displacement. Combined with an almost forensic mapping of matter, (e)motional charting soundscape is translated from the ecosystem’s data, rendered by colour temperature, position and opacity, and engages with more-than-human intra-action (s) through generating sound.

CREDITS

Concept & direction: Pedro Matias

Co-direction, camera: Mathilde Renault

Trans-media translation: Tatiana Rosa

Sound composition: Tatiana Rosa

Microscopic camera: Pedro Matias

Editing: Mathilde Renault & Pedro Matias

Text & subtitles: Pedro Matias

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Produced with the support of:

Mondriaan Fonds

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Presented at:

Plan-B Art Festival, Borgarnes, IS

& 

ADAF official Selection -  17th Athens Digital Arts Festival, Athens, GR

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Click here for the online version.

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N0-ONE SHOW

In the age of A.I. with communicating internet bots, algorithms leading our search engines and heavily influencing our access to information and world’s view, is a performer still an essential part of the performance?

No-One Show is partly a 360° film, and partly a live performance. The film is a completely immersive experience, viewed through VR headset and headphones. After that there is a live interactive part performed with the same actor, who urges the audience to take off their VR headset and headphones and, through various activities with each other, make people connect on a basic level.

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CREDITS:

Audio, sound design, video programming: Tatiana Rosa

Composition, text, performance: Jerzy Bielski

Director of photography, light design, film post-production: Thomas Brand

Costume: Karolina Maksimowicz

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Produced with the support of:

Silbersee, Gaudeamus, Stimuleringsfonds Creatieve Industrie, Prins Bernhard Cultuurfonds, NORMA fonds

Presented at:

Gaudeamus Muziekweek 2020

Warsaw Autumn 2021

O. Festival 2021

Splendor Amsterdam

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Click here to watch the 360° trailer.
 

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Humor Vítreo

Humor Vítreo is an audiovisual performance based on the work Strata from Deanna Sirlin.

Taking the 22 stained glass panels made by Deanna Sirlin specifically for the gallery building, Tatiana Rosa created a software that translates the visual content of these stained glass panels to electronic sounds. This translation happens throughout the performance while the musicians interpret and react to this translation with their instruments.

In the end a 23rd digital panel is generated by using the same platform, this time to translate the sound of the one-hour performance to a visual representation.

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CREDITS:

Tatiana Rosa: Programming, Visuals, Flute, Electronics

André Lourenço: Electric Bass, Electronics

António José Bexiga: Guitar, Electronics

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Produced with the support of:

Fundo Financeiro Extraordinário/Apoio à Comunidade Artística Centro de Arte e Cultura - Fundação Eugénio de Almeida

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Elephant in the Room

This one-woman show tells the story of desires for revenge, justice and how to be a good person. Eva Layla goes into battle with her wolf like a modern little red riding hood. In the fairy tale, the hunter kills the wolf, but what does Eva Layla do?

// Wraak is als een woud en in een woud verdwaal je makkelijk… //

// Als je wraak neemt win je dan de geschiedenis of wis je je geschiedenis? //

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CREDITS:

Concept, script en spel door Eva Layla Schipper

in de regie van Stephanie van Batum

met een tekstuele bijdrage van Bart van den Donker

en muziek van Tatiana Rosa en Yann Fraussurier

PR beelden gemaakt door Cripta Scheepers

QueerAble In/stabilities

Subjectivities undergo processes of in/stability with the norm body, the norm movement, the norm behaviour, the norm morals (…). A process continuously reinforced by the surveillance of the gaze. QueerAble in/stabilities is a performative encounter in which other embodiments are transformed into sound through a wireless electroacoustic interface assembled to the body.

Resonance becomes agency when the movement of a marginalised embodiment is translated into sound. Through amplification of a metal acoustic resonator, and its live electronic manipulation, the work engages continuous flows of resonance. Biometric data gives the interface another dimension by altering the produced sound in relation to the proximity of other bodies.

The uttered composition of several sonic textural layers, results from the dialogic relation between embodiment, space, voice and other bodies

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CREDITS:

Live-electronic sound manipulation and interface development: Tatiana Rosa

Performance: Angelo Custodio

Technical support and interface development: Michele Abolaffio

Design development and wearables: Arthur Guilleminot

Produced with the support of:

Mondriaan Fonds, The Other Abilities

QueerAble In/stabilities @ Hackers & Designers

Sonic Iteration of QueerAble In/stabilities

Lurings

Lurings is a hybrid installation weaving through the forms of movement, puppetry, choreographic objects, and live electronics. With the accentuated need to connect within the imposed limitations of today’s world, this installation offers a way of distance participation.

A series of composed objects are suspended with strings in space and interact with an object on the floor creating a 3rd affect. Every movement of the string produces pre-curated electronic sounds. These objects are activated from the other end of the string from a distance by the audience, creating a rhythmic play on sensorial qualities with visuals and sounds.

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CREDITS:
Interface development and sound design: Tatiana Rosa
Concept, object design and direction: Keerthi Basavarajaiah
Advice : Halbe Kuipers

Produced with the support of:

LTK4, SNDO (School for New Dance Development)

Presented at:
LTK4 - Schausammlung 2020 Internationale Klangbasierte Künste

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Embodying Rib

Embodying RIB is a series of open-studio presentations that explores the acoustic possibilities of the Rib building.
Taking as a starting point the aerodynamic connection between the Dutch fluyt, a17th-century cargo ship, and the flute, the potential flute acoustic of the Rib building was explored by amplifying and manipulating the wind frequencies in and around the building itself and bridging these elements with the sound world of the Rotterdam harbour.
In this journey Tatiana explores the sound sources offered by Rib by means of recording and transforming the soundscape of the building itself and its surrounding space as well as explores how to produce new sounds with what the building has to offer.
Having in mind the geographical context of the space, great part of this research connects with the sound of the wind and how that can be transposed to breath, pipes and flutes.
This performance focuses on Rib’s intrinsic and extrinsic qualities as an instrument in itself and the relationship established between the space and a human body.

Produced with the support of:
RIB, Mondriaan Fonds, Creative Industries Fund NL and VSBfonds

Promises

Promises is an invitation to take a closer look at promises as game-changers in our individual and collective takes on life.
Also, it offers a different perspective to the usual meaning of the word, or so to say, an extended one
promise as the intertwining of faith and desire, a formula
[promise = desire + faith)]
we use to cope with things we can the fully grass.
This performance involves interactions between performers and projections presenting other nuances of the performers, other promises,
other characters and their probable intersection and juxtaposition.
Their blurry physical and discursive realities
/ break /
and reconstruct constantly,
emerging and shifting in a quest for apparent stability.

In collaboration with:

Marko Ivic

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Produced with the support of:

MISO Music Portugal

Strange Smoke Over My Skin is a multimedia choreographed performance that explores the dynamics of power and silenced bodies in political spaces such as the setting of a traditional music ensemble. Sound, body movement, light and shadow are sculpted together in a multi-sensorial project where an immersive audiovisual environment is set in a pitch-dark concert hall. 

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It is winter. A woman is found alone in a small hut high up in the mountains. She is suspected of having killed her children. The interrogator questions the woman and in doing so, receives no answers, leading her instead to reflect on her own state of mind. As time passes, the fog thickens and clarity dissipates as it becomes harder and harder to find what was never lost.

A mind in a body in a room in a story in a mind in a body in the world. One by one, the layers fall away in a ritual of unravelling and we are immersed in darkness, in light, in sky, as we follow the transformative power of letting go of the need for answers to our questions.

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What is it called, to be in a place without meaning, without symbols, where we are not able to project ourselves or find our own image reflected in the gaze of others? When the old rituals only keep us in purgatorial enclosures and we are left to wonder a landscape of the contradictory voices of our own mind with only molecules of memory to form any sense of reality? What is this called? Perhaps there is a word for this in a language I do not speak? ZELLE is an expression of this state of being, in a language of music for the ears of the skin. It is an invitation to travel together beyond darkness, to the limits of the seeable, the hearable and the comprehensible.

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CREDITS

composition & regie: Jamie Man

text: Peter Stamm

scenography and lighting: Ezra Veldhuis

dramaturgy: Tomas Serrien

electronics: Tatiana Rosa

costumes & inflatables: Fredrik Tjærandsen

music performance: Asko I Schönberg

contratenor: Steve Katona

nōh: Ryoko Aoki

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throat singer: Jackie Janssens

electric guitar: Wiek Hijmans

percussion: Joey Marijs

lighting: Johannes Ringoot

sound: Brecht Beuselinck

production manager: Liesbet Termont

Produced by: LOD muziektheater (Gent)

With the support of:

DE SINGEL; Asko | Schönberg Amsterdam; Palau de les Arts Reina Sofia Valencia; De Munt/La Monnaie Brussels; Festival d’Aix-en-Provence; Calouste Gulbenkian Foundation Lisbon; Theater- und Musikgesellschaft Zug

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Breaking the Codes: Zamenhof Project, by the young music theater maker Jerzy Bielski, is a music theater project inspired by the ideas and the life of Ludwik Zamenhof, the creator of the universal language Esperanto and promoter of world peace. 

The international cast, consisting of actors, musicians and dancers who speak seven languages ​​between them, engage the audience in an exploration of communication (or miscommunication) and language. And the audience will not stay seated the whole time, but will be free to discover the space and installations together with the performers.

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